As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

Heinz Emigholz 热衷以光影去纪录建筑，本片选自大型计划「超越摄影」最新的「街市风景」系列。在乌拉圭首都 Montevideo, 一名导演约见临床心理学家，倾吐内心的困扰，由德国战后的童年经历谈起，然后谈到他的电影创作和他遭遇的问题。两人进行着马拉松式对话，而 Emigholz 不只要观众洗耳聆听，还要用眼观看，镜头里不停转换的背景，出现不同的特色建筑与街景，成了同样重要的主角，也在跟喋喋不休的角色进行着另一种对话。（41届香港国际电影节）

A cinematographic composition of three distinct elements: scenes of the German band Kreidler (Thomas Klein, Alexander Paulick, Andreas Reihse, Detlef Weinrich) at work on their album “ABC” in a recording studio in Tbilisi, Georgia, 26 densely filled notebooks of Emigholz, and shots of anonymous buildings and streets in Tbilisi.

《美女廚房系列》（英语：Beautiful Cooking Series）是由日本朝日電視台授權香港電視廣播有限公司拍攝製作的烹飪遊戲節目系列，由鄭中基、方力申、梁漢文主持。每集邀請三位美女藝人進行廚藝比賽，亦邀請兩位男藝人作為評判。

李梦华（唐纳 饰）只是一介穷书生，却爱上了小店主的女儿张小云（张新珠 饰）。然而，张小云一心希望能够嫁给茶栈经理王俊生（顾梦鹤 饰），一圆自己当老板娘的美梦。小云的好友即将和爱人携手步入婚礼的殿堂，小云想买一件大衣穿去参加好友的婚礼，无奈李梦华实在囊中羞涩无法相助，只能窝囊的逃走。 　　最终，小云设计让王俊生的秘书小陈（蔡若虹 饰）替自己付了大衣的钱。某日，小云喝得酩酊大醉，王俊生趁虚而入将小云带回了自己的家，两人在半推半就之下发生了关系。之后，在小云父亲的撮合之下，两人终于结为夫妻，然而没过多久，王俊生便抛弃了小云。

李梦华（唐纳饰）只是一介穷书生，却爱上了小店主的女儿张小云（张新珠饰）。然而，张小云一心希望能够嫁给茶栈经理王俊生（顾梦鹤饰），一圆自己当老板娘的美梦。小云的好友即将和爱人携手步入婚礼的殿堂，小云想买一件大衣穿去参加好友的婚礼，无奈李梦华实在囊中羞涩无法相助，只能窝囊的逃走。最终，小云设计让王俊生的秘书小陈（蔡若虹饰）替自己付了大衣的钱。某日，小云喝得酩酊大醉，王俊生趁虚而入将小云带回了自己的家，两人在半推半就之下发生了关系。之后，在小云父亲的撮合之下，两人终于结为夫妻，然而没过多久，王俊生便抛弃了小云。

陈志雄为典型的都市夹心阶层，他每天受尽上司欺压，及家里柴盐油米的担忧，精神备受压力。一次公司裁员，其下属何忠信无故被革职，却误以为是雄所为。从此，信不断以电话骚扰雄，另外，雄的妻子李秀丽又突然怀孕，顿时令雄无所适从，这个膨胀的气球处于爆烈的边缘。 　　雄开始走向极端，导致夫妻不和，与好友张伟明友情破裂。这时，信更趁虚而入，挟持丽及其女要向雄报复。雄不顾一切要救回妻儿，但却闹得满城风雨，众人误以为他是一个神经怒汉——抢劫警员配枪，企图与妻儿同归于尽……

一年一度的德国电单车节，引得世界各地的电单车发烧友齐聚。恰逢主办品牌举办电单车一百周年庆典，相关大型活动召集电单车爱好者组团自驾畅游欧洲，然后浩浩荡荡地抵达德国柏林参加盛会。铁骑行团从法国尼斯出发，途经意大利、奥地利等地，最终以柏林铁马嘉年华作为终点站。星级电单车友袁伟豪、张振朗驾驶爱车随团启程，体验“两个轱辘”的欧洲漫游之旅。两位小生结伴经历激情与惊险，与全球电单车迷真诚交流，共享男人的浪漫！

一年一度的德國電單車節，吸引世界各地的鐵騎發燒友聚首一堂。適逢主辦品牌推出電單車一百周年慶典，相關大型活動召集鐵騎愛好者組團自駕遊歐洲，再浩浩蕩蕩抵達德國柏林參與盛會。鐵騎旅行團由法國尼斯起步，途經意大利、奧地利等地，並以柏林鐵騎嘉年華為終點站。星級電單車友袁偉豪、張振朗駕駛愛車隨團出發，體驗「兩個轆」浪遊歐洲之旅。兩位小生結伴走過激情與驚險，跟全球電單車迷真情交流，分享男人的浪漫！